湃 新 报
On December 28th, “Fugui Changchun – China Traditional Wealth Cultural Exhibition” opened in Chengdu Museum, exhibition with 110 pieces / set of cultural relics and light and shadow interlaced show, interpreting the transformation and development of traditional Chinese wealth culture for the audience, Passing the wealth moral kernel of Renzhong, the wealth of the wealth, reflecting the Shengshi Feng, the prosperous scenery of Guotai people, and also sent a good wish of the New Year’s flowers and prosperous.
The word “rich and Changchun” has become a growing porcelain recognition and painting theme since Song Yuan. This kind of praying of rich and well-being is filled with people’s daily life. Whether it is engraving the bronze mirror of Gui, or a porcelain, a porcelain bowl, which is a porcelain bowl, or a pray for “everything like” … Pray for the family to prosper, fertility, I wish the society long rules, hope to stay, is the eternal proposition of the Chinese people. Fugui Changchun, pinning the people’s feeding and food, and the hopes of living in the homework, and it has become a spiritual power of people’s self-proportion.
Exhibit cultural relics
The exhibition exhibited the essence of hundreds of exhibits from 9 civil society in the country, showing a beautiful picture of the rich and prosperous scenery. From the Han Dynasty gold cake to the silver ingot, from Zhengfao Shen Guan Yu, Zhao Gongming to the Zhengcai Land, and “shake money tree” from Shengxian thought and praying, the “Hui Tree” to the golden jade, from Peony Peony hangs to “月” end, from Zhu Xi to worship God of Wealth … Different prayer activities and Xiangrui utensils reflect the hope and pray for happiness to happiness, weaving Fushou, rich and innocent . Pray for the god of God, and also hide the people of the past, the respect and nostalgic of the generation of virtue, the benefit of the party, in a rustic manner, the spirit of the wealth of the rich and prosperity.
The exhibition has been “the gods of the gods”, “the gods of the gods”, “the gods pledges”, and will come to the Chinese traditional wealth culture.
The first unit “Shun life”
Through the “Fortune Dreams”, “God of Finance”, the nephew of the Qing Dai God, the yearning for good life and the extension of the product economy.
“Fule Dreams” first showed more than ten kinds of money, from the Han Dynasty gold cake to the Republic of China stamp duty, a list of thousands of money in China.
Golden Cake Western Han China Finance Tax Museum Tibet
Then explain the development and evolution of praying in the pre-Qin period. Focus on the western king of the Qing Dynasty, the Qing Dynasty, the Qing Dynasty, and the “rich” in the Qing Dynasty.
Copper Tree Clear China Finance Tax Museum Tibetan Western Pharace Copper Conghua Tree Han Guang Han City Cultural Relics Protection Research Institute
“Home Changfu” Mingbong Mirror Western Han Chongqing China Three Gorges Museum Tibet
“Wan Long live” Ming Taowa North Wei Datong City Museum
Copper fetus 掐 珐 聚宝 basin Qing China Finance Tax Museum Tibet
Red Green “Fugui Changchun” Ming Pine Bowl of Jin Chongqing China Three Gorges Museum
Floral pear frame 掐 珐 珐 芍 药 药 屏 清 沉 沉 沉 故 故 屏
The “God of Fortune”, partly, the rise of the rise of the financial gods and the unusual of the commodity economy, and how to separate the traditional agricultural gods in the wave of commercial development, from the form of paper horse in the form of paper horse.
Green glazed pig Eastern Han Xiamen Museum Tibet
The second unit of wealth
The second unit is divided according to the division of the gods, in the “Zhengzhong Petriobi – the Zhengfao God”, “Zhuobao, the quasi-civil faith”, “Le Shan Yisheng-Buddhism in the God of Wealth” Some, through the description of the “God of God” and the feature of different financial gods, show the traditional concept of the people’s moral kernel and praying wishes.
“Zhengping God” is based on the three countries in the national name, the Taoist legend Zhao Gongming, the historical figure is more dry, Fan Wei, and the Li Yuzu, which have a morality of morality, reflects Chinese tradition. “The gentleman loves money, and there is a way” moral background.
Multi-piece different periods, different materials of the gods statue, tag, annual painting concentrated on display, Guan Gongmun solemn, Zhao Gongming is righteous, and it is unforgettable.
Shoushan Furong Stone Guangong sits like the Museum of Museum in the Republic of China
鎏 金 绘 公公 立 立 Ming Wudang Museum Tibet
Painted wood carving Zhao Gongming Fortune Satisfied – Central Chengdu Museum Tibet
Painted Zhao Gongming Copper Statue Ming Wudang Museum Tibet
“Quasi-wealth” takes a variety of gods that can make money to be rich, and the traditional people are mainly engaged in the character of Liu Haiwei, the traditional customs of the land, and the second fairy. It can be seen from the exhibited white porcelain, and the wood statue is visible, they are kind, happy, more than the heart, and the gods of the blessing, show people the virtues of “Le Goose and Good Shi, Buy Fortun”.
Green glaze, clearly, Xiamen Museum
Dehua Kiln White Glaze and Hexian Porcelain Simple Xiamen Museum
Pakistine, porcelain, storm, China Finance Taxation Museum
Painted wooden carving land is like the Museum of Museum, the Republic of China
During the process of creating God of Wealth, the folks have absorbed the factors related to Buddhism. Many Buddhist gods also combined with financial functions and assume the psychological needs of the people.
This section is based on the treasure king’s gold bronze statue. Two small and exquisite jade carvings mice are more beautiful and cute. I don’t know if it is the legend, I will spit out of the “Motto” to spit the mouse.
Finance Tianshi Jinjin Bronze (Half Yield) Qingqing China Three Gorges Museum Tibet
The third unit is divided into two parts: “Spring Festival Welcome” and “4 Past Worship”, which exhibits the proliferation of God of Fortune from the holidays and daily, and it is highlighted in the folk activities of the plurality of yuan. Common cultural memories.
The Spring Festival is the most important festival of the Chinese nation. The “Spring Festival Welcome” has shown the most important sacrifice activities in the year, and the annual painting of Multi-piece Weekly Wood is created, and people are hushed at the old welcome. Beautiful life yearning and hope.
In addition to cultural relics, this exhibition does not have a highlight in the design of Chen. The exhibition is based on the red color of the festive peace, supplemented with the rich colors of traditional folk year paintings, forming a variety of elegant style; deep gray with golden lines, retro collision national tide winds. The exhibition is not only set to all the God of Fortuna, but also special “card” installations, the local exquisite details of traditional annual paintings are enlarged, and the arch room is superimposed. At the end of the exhibition, there is also a special drawn Wushu IP IP. The audience can publish the favorite greetings in the big screen through the mobile phone applet, and make a new year’s wish.
It is reported that the exhibition is directed by the Sichuan Provincial Cultural Relics Bureau, Chengdu Wen Guang Tour, Chengdu Museum, China Cultural & Exchange Center Support, China and Chuangwen Wensu Technology Development (Beijing) Co., Ltd. Co-organized, Chongqing China Three Gorges Museum, Shenyang Palace Museum, Fujian, China Museum Museum, Xiamen Museum, Datong Museum, China Finance and Tax Museum, Wudang Museum, Guanghan City Cultural Relics Protection Research Institute, exhibition will last until March 20, 2022.
(This article is consolidated from the relevant exhibition information of Chengdu Museum.)
Editor in charge: Li Mei
Author: Zhang Yan